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Looks at African musical traditions, structures, and instruments in their historic, social, and cultural contexts In the monastery's workshop, luthier-monks also craft koras that are in high demand among . It is a means of often a means of communication and a uniting force. Source Kora The Kora of Africa is a unique aspect to a harp and a notched bridge like a lute or guitar. Found inside Page 80Musical instruments were also a means through which students negotiated and musical instrument, which typically included the African kora and mbira, Finally go for a slow attack with a long release drenched in plenty of reverb and sizzle to produce a slowly evolving and morphing pad sound. Played by virtuoso musicians steeped in an ancient tradition. The kora is a Mande stringed instrument, like a combination between the lute and the harp, with a classical guitar-like sound quality, played throughout western Africa. Pevar, Susan Gunn. The kora's strings need careful tuning and the playing technique is highly skilled. The kora most likely developed from similar Mande instruments approximately 300 years ago and was first documented in the 1799 chronicles of the Scottish explorer Mungo Park. There is a sound hole cut into the side of the resonating chamber, next to the right handle (see second detail image). Browser Not Supported. Chicago: University of Chicago Press. In African, it is even more. Sound Healing Therapy - 14 Healing Instruments. This professional kora (CORE-uh) is among the best available anywhere in the US, with superior craftsmanship and materials. One of the greatest living Kora players today, Amadou Suso, is currently based in Melbourne and often performs solo and with his group The Senegambian Jazz Band, taking the classic sounds of the instrument and juxtaposing . As well as the standard finger plucked sound, other articulations include fast tremolos, slow tremolos, glissandos, staccatos, harmonics and trills. Bridge is made of beech wood or ash wood. Kora. Found inside Page 187Today's recordings of the kora are missing a sound that was important in the past: To this list must be added one more instrument, even though it is not Two wooden handles on either side of the neck are held firmly in place against the rim of the resonator by the tension of the soundtable, and a third stick running perpendicular to these handles across the face of the resonator and underneath the handles further stabilizes the handles and increases the tension of the rawhide soundtable. The first written historical reference to a kora appeared in Mali in the 14 th century. Mike, I haven't done it before, but I have a little bit of an idea based on liner notes to a kora album that I have. Suso, Foday Musa. King, Anthony, and Lucy Duran. Feel free to contact us with questions about repairs or modifications to your instrument. 1984. 10 tracks, mostly instrumental, unaccompanied by any other musicians. Found inside Page 66A male musician usually plays the instrument by holding the gourd between his legs, The bolon has a deeper, more resonant sound than the kora; in fact, Music of Africa: The Manding Contexts. In Performance Practice: Ethnomusicological Perspectives. After its discovery in Gambia, the chordophone instrument made its way to other African nations like Senegal, Bissau, Burkina Faso, and Mali. The metal is very brittle and if its being played at a very high rate, its quite fragile, BBC Scotlands director of manufacturing, Chris Burden, said. ARTICULATIONS: Normale, Harmonics, Slow Tremolo, Fast Tremolo, Staccato, Glissando & Trills. 53-90. Let yourself be bathed in the healing melodies of each instrument, and keep an ear out for any which, in the truest sense of the word, resonate with you! The music of the ancestors is alive today among the socalled jelis or griots. FEATURES: 18 samples per note (6x round robins, 3x velocity layers). Found inside Page 222(right) Kora bridge the base of the instrument. both perpendicular to the face or sound table (and approximately parallel to each other). A typical kora A gorgeous solo kora album by a UK based musician. By switching leather for wood the instrument's Resonance Board is more stable against changes of humidity and temperature, which means that it becomes out of tune less easily. Main components are large half-gourd, notched floating bridge, full-length neck, decorated Found inside Page 52Similar to other instruments, the kora is traditionally played in a very distinct style. Listen to recordings and absorb the generic sounds and performance A light bit of reverb helps accentuate the sound and bring it all to life. The first known reference to the Kora from Mungo Park in 1799 in his book "Journey into Africa Districts Interns." He describes as "a large harp with 18 strings." These textures range from choral in nature to dark in tone. The instrument's body is composed of a long hardwood neck that passes through a calabash gourd resonator, itself covered by a leather soundboard. Tempo- . This collaboration, Krln, with the 30-piece London Symphony Orchestra does not in any way overwhelm or blur the beauty of the instrument but instead gives it a . The kora is a large, spherical-shaped instrument - similar to a lute - made of a dried calabash (squash) that has been cut in half. We spent a freezing cold Friday in January with the renowned Kora playerJosh Doughty, meticulously sampling his favourite West African harp in a London studio. Kumbengo: stable flowing ositinatos Wikipedia. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. Each texture is a different length so the sound you produce wont ever repeat, with each pad sound swelling at different points. The recordings were captured using a built-in pickup and a pair of stereo mics. The kora has deep roots as an instrument of storytelling and folklore in 16th century West Africa, and has been played by the same musical guilds since then; however, this cultural framework is quickly changing, and today, the kora is played by many more diverse groups than in the past. If the kora is being recorded by itself, I would say go for a nice naturally reverberant room, and mic from a few feet away, to catch all the elements of the instrument's sound (like with orchestral instruments). This is a collection of modern and cinematic textures created from our detailed recordings of the Kora. A year on and things have continued to develop at pace. Its hands are made of plastic and have a hole in them for a finger to fit through.

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